Kevin Champeny is not your average mosaic artist. In a studio tucked away in New York, he handcrafts monumental mosaic sculptures using thousands of tiny, hand-cast resin elements. Each piece is a blend of craftsmanship, patience, and bold visual storytelling. From gummy bear mosaics to intricate wall sculptures, Kevin’s studio is the creative heart of his artistic journey.
In this article, we take you behind the scenes of Kevin’s mosaic art studio, revealing the tools, materials, and environment that shape his unique resin-based artwork.
Kevin’s studio is more than just a workspace; it’s a fully functioning art laboratory. Split into dedicated zones for sculpting, casting, coloring, and assembling, the space is meticulously organized to support the flow of his process.
Natural and controlled artificial lighting play a crucial role, helping Kevin fine-tune color perception and shadow depth, especially for his more complex works like What Remains and Heal Me. The studio functions both as a place of intense focus and as a sanctuary where creative ideas evolve into bold sculpture art.
Every mosaic begins with a concept. From there, Kevin sculpts miniature prototypes of fish, flowers, skulls, planes, gummy bears, each one representing a building block in a larger story.
He uses precision hand tools to shape clay models and then creates silicone molds to replicate them. Custom workbenches hold tools designed for detail, stability, and speed during the resin casting process. The studio hums with the quiet focus of an artist completely immersed in micro-detailing.
This setup allows Kevin to create works that are not only visually impactful from afar but also intricately detailed up close.
Kevin’s materials are as engineered as his art is emotional. He primarily uses polyurethane resin, a chemically stable medium ideal for producing long-lasting and durable miniatures. For specific finishes or bonding elements, he turns to epoxy resin in art, known for its strength and glossy finish.
Dyes are mixed directly into the resin rather than painted on, creating vibrant, lasting colors that don’t fade under artificial light. Each casting is then carefully glued into place using silicone or cyanoacrylate adhesives, ensuring durability and detail.
Once all the components are ready, the real mosaic work begins. Kevin assembles each piece, sometimes thousands, onto hand-built wooden panels or frames. Some of these sculptures, like Gummy King or Fire and Ice, take months to complete and require meticulous planning to maintain color gradients and balance.
The result is a mosaic art piece that feels almost alive, packed with texture, shadow, and depth like a three-dimensional painting built from resin.
Kevin’s studio is as much a part of his work as the art itself. Being near his materials, sculptures in progress, and color samples allows him to experiment on the fly. He often works on several projects simultaneously, using different lighting conditions and color tests to refine each one.
This physical proximity to the process fuels spontaneity and innovation, which is essential when creating large-scale luxury wall art with such emotional and conceptual depth.
The studio is where the work begins, but the magic doesn’t end there. Kevin’s finished pieces span a range of themes, from gummy bear art to floral skulls and historical tributes like the Pan Am logo mosaic.
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If you’re inspired by his process, you can even commission a custom mosaic sculpture tailored to your space and story.
Kevin Champeny’s mosaic art studio is more than a workshop; it’s the birthplace of one-of-a-kind sculptures that blend emotional resonance with technical brilliance. From the careful casting of a gummy bear to the placement of a flower skull, every detail is shaped by the environment around him.
Ready to see the final results?
Explore Kevin’s mosaic and resin artwork or commission a piece inspired by his creative process.
He works primarily with polyurethane resin, epoxy resin, silicone adhesives, and custom dyes to create long-lasting, vibrant sculptures.
Resin casting allows Kevin to produce thousands of identical miniatures with incredible detail and color control, essential for large-scale mosaic art for wall installations.
Kevin’s studio is not open to the public, but private appointments may be arranged for serious collectors or collaborators.