Kevin Champeny is a mosaic artist who makes art unlike anything you’ve seen before. Instead of using tile or glass, he builds his pieces using thousands of tiny handmade sculptures. Each sculpture is cast in resin, dyed by hand, and placed one by one to form a larger image.
His most well-known works include the Pan Am logo in mosaic and the iCarly gummy bear chandelier. These pieces combine storytelling, color, and craftsmanship in a way that draws people in—and keeps them looking.
Every mosaic sculpture begins with a vision. Kevin doesn’t just ask, “What do I want to show?” He also asks, “What will this be made from?”
In the Pan Am logo in mosaic, for example, he used tiny planes, luggage, and crew members to reflect the airline’s legacy. The material becomes part of the meaning. That’s what sets his work apart.
Kevin hand-sculpts the miniature pieces used in his mosaics. He might sculpt a single fish, rose, or candy shape—and then cast it thousands of times.
Even though they’re small (usually just an inch or two), they are full of detail. This is where the idea becomes real.
To make thousands of perfect copies, Kevin creates silicone molds. These molds are designed to hold fine detail and survive heavy use.
He also builds tools that help him pour faster and more consistently. When a piece includes 50,000 or more parts, this kind of system is a must.
Kevin doesn’t paint his sculptures. Instead, he mixes the color into the casting process. He uses a strong plastic-like material called resin and adds dyes to it before casting.
This method makes the color last much longer. It also gives him more control over how colors blend in the final artwork. Resin art allows for rich, bright, or translucent effects—depending on what the piece needs.
Each colored piece becomes part of a larger mosaic cast, where sculpture and image come together in perfect balance.
After casting, Kevin sorts the pieces by color and shape. Then he glues them onto a base, one at a time.
Because Kevin is myopic, he can see fine details without having to step back often. This helps him build very large works with strong flow and accuracy.
The finished result looks like a single image from far away. But up close, you see what it’s made of—and that’s where the magic happens.
Kevin often makes his own frames too. For curved pieces, he’ll even bend the wood himself.
Sometimes, the sculptures spill out past the frame’s edge. This gives the work more life and helps it break away from a typical wall-hanging shape.
Once the artwork is done, he packs and ships it with care. Some pieces go to private collectors. Others end up in galleries or public spaces.
Kevin says the process is as important as the final result. Sculpting, casting, coloring, and gluing—it’s all part of the art.
He works on several pieces at once to stay creative. Every new challenge teaches him something that he brings into the next project.
For Kevin, being a mosaic artist isn’t about quick wins. It’s about patience, skill, and doing things the right way—even if it takes months.
Kevin starts by sculpting small pieces, then makes silicone molds. He casts them in colored resin, sorts them, and glues each one in place to form a larger image.
Smaller works may take a few weeks. Larger ones with 20,000 to 80,000 pieces can take several months from start to finish.
Kevin uses silicone molds, resin (a type of strong plastic), hand-mixed dyes, and special glue. He also builds custom frames for some works.
Want to explore Kevin’s full body of work? Check out our article on his mosaic art approach.
Kevin Champeny’s work blends craft, sculpture, and story into something truly unique. As a mosaic artist, he’s not just creating images—he’s building entire worlds from thousands of tiny parts.
Whether you’re an art fan, collector, or just curious, his process is something worth seeing up close.
Want to explore more or commission a piece?
Visit kevinchampeny.com to get started.